It’d sound like damning with faint reward to say that one of the best visible second of Ian Enhance’s function directorial debut “undertone” is a black display. Nonetheless, it’s the reality – and meant as a praise. For a movie so fixated on upsetting concern and dread by way of the medium of audio, it’s naturally strongest when it doesn’t hassle to stimulate the eyes in any respect.
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The aural texture in “undertone” is the stuff of nightmares, particularly for anybody who finds kids’s songs strike a very terrifying tenor.