When an actor takes on a number of roles in a film, you’re compelled to surprise if this casting selection has been made to stoke the actor’s ego (and possibly earn them a bit additional cash), or as a essential part of the display storytelling. Dylan O’Brien delivers two outstanding performances in James Sweeney’s indie-flavoured anti-romcom, Twinless: one as Roman, a hangdog lug who’s mourning the latest demise of his twin brother; and the opposite as Rocky, an intimidatingly assured homosexual pick-up artist and late brother to Roman.
There’s an excessive distinction between the 2 characters, and O’Brien doesn’t seem like consciously emphasising any aesthetic or behavioural tic that connects the 2. The twins inhabit such totally different social areas and fields of curiosity that you just’re additionally left to surprise what it was that made them so shut within the first place. Is that this the a lot ballyhoo’d mystical twin bond that exists past rational comprehension?
Roman is launched attending a remedy group for individuals who have misplaced a twin, and whereas benefiting from the free of charge comestibles desk, he’s doorstepped by Dennis (James Sweeney), a younger, awkward homosexual man who finds himself in the identical de-twinned boat. The pair strike up a quick friendship regardless of their variations, and Dennis particularly claims to really feel mentally consoled whereas in Roman’s tongue-tied presence. Quickly, through flashback, we’re made occasion to particulars of the tragic occasion that led Dennis to the remedy session, and we uncover that his motivations aren’t solely true.
Sweeney’s movie rides on a intelligent idea, and there’s a stage of amusement available from looking for justification for Dennis’ more and more delinquent actions. Sweeney himself is much less of a pure performer than O’Brien, and the arch tone of his supply all the time makes it really feel like he’s doing a bit for Saturday Evening Stay – the feelings by no means translate as honest. His finicky nature and a fixed want so as to add little cultural references or rhetorical asides to the dialogue develop tiring in a short time, sometimes creating haunting parallels with Zach Braff’s winsome indie nightmare, Backyard State. However solely sometimes, thank god.
From its candy opening, Twinless quickly lurches into an prolonged wallow into Dennis’ varied humiliations and self-owns as his long-game deception quickly comes undone. It’s a well-made and fitfully entertaining movie, although by the second half, the Roman character turns into a pretty vacant cipher and merely a means for the digicam to discover Dennis’ varied neuroses. As a author and director, Sweeney exhibits a lot promise, at instances demonstrating the swaggering confidence of the Canadian upstart, Xavier Dolan – the pair even look fairly related. But the movie works finest as a showcase for exemplary vary of O’Brien.