Some could say it’s unwarranted to demand full contextual translatability from cinema, even when it’s the worldwide medium par excellence. However isn’t its audio-visual nature what ensures worldwide circulation with minimal translation effort and most portability? As a substitute of prodding the dusty movie principle books searching for definitions—what’s world, world, or small-nation cinema — a extra undeniably productive transfer can be to rejoice the variations that arthouse movies at the moment embody. In spite of everything, cinema is an endangered species.