FILM REVIEWS
Hoppers overview: Pixar’s newest doubles down on “buddies not meals” by Nell Minow
Andre Is An Fool overview: Irreverent biodoc urges you to get your colon checked by Marya E. Gates
The Bride! overview: Maggie Gyllenhaal items collectively a fantastical creature function by Tomris Laffly
TV REVIEWS
Vladimir by Sherin Nicole
“RJ Decker” Efficiently Brings Whimsy to Community Procedural by Cristina Escobar
A Case of Id Disaster: “Younger Sherlock” Suffers From Too Many Concepts by Nandini Balial
Apple TV’s Tedious “The Hunt” Ought to Have Stayed on the Shelf by Lacy Baugher
HBO’s “Rooster” is Virtually an Endearing Comedy by Jen Chaney
FEATURES
Introduction to Ladies Writers Week 2026 by Nell Minow & Chaz Ebert
Joan Cusack: Finest Supporting Power by Jen Johans
“The Bronze” at 10: How a Washed-Up Gymnast Grew to become a Cult Antihero by Kristen Lopez
“Hush” is the Finest Horror Film You In all probability Haven’t Seen by Scarlett Harris
The Creative Exploration & Wit of Charli xcx by Cortlyn Kelly
Reflections on Nuremberg: Classes on Evil by Anna Katz
Lengthy Stay Bonnie Bennett, the Actual Star of “The Vampire Diaries” by Danielle Mathias
Ability and Dedication: Nelson Pressley on Fonda on Movie: The Political Films of Jane Fonda by Nell Minow
An Anatomy of a Fleece: Why “Heated Rivalry” Followers Have Latched Onto its Very Canadian Jacket by Michelle Jaworski
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet” by Willow MacLay
How “The Testomony of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders by Miriam Balenscu
Throughout 50 Seasons, “Survivor” Displays Evolving Views of American Ladies by Esther Rosenfield
Feminine Filmmakers in Focus: Grace Glowicki on “Lifeless Lover” by Marya E. Gates
All of the Days of My Life: On Elaine Might’s “A New Leaf” by Katie Rife
A New Cup of Tea: The Finest Homicide Mysteries You Haven’t Seen by Mira Singer
I’ve Began Seeing Anyone: The Monstrous-Masculine in Larry Fessenden’s “Behavior” by Alisha Mughal
No matter You Consider “Wuthering Heights,” We Want Extra Filmmakers Like Emerald Fennell by Lacy Baugher
To the Movie Trade in Disaster, A Look Again At Hollywood In 1926 by Marya E. Gates