How Netflix’s ‘KPop Demon Hunters’ Made Its Oscar-Nominated Trio the Voices of a Phenomenon


The diploma to which a performer mirrors their character varies wildly. Typically, I’ll interview actors and discover they’re nothing just like the position they embody. Different instances, I’ll discover that they echo their character to nearly comical levels. The expertise of chatting with the actors behind the talking roles of HUNTR/X from the worldwide phenomenon KPop Demon Hunters is certainly the latter.

Upon sitting down with the trio on the Netflix places of work within the coronary heart of Hollywood, it’s instantly clear that Arden Cho, who voices the position of Rumi, the primary vocalist and head of the group, is a natural-born chief. Sitting with impeccable posture in a sheer button-down shirt underneath a black costume, she nearly all the time responds to the questions first, and her solutions are assured, polished, and crammed with ardour. Might Hong, who performs Mira, the trio’s rebellious principal dancer, is effortlessly cool, lounging again in her all-black outfit, edgy cutouts in her sleeves. Her phrases are sometimes cloaked in the identical depraved sense of deadpan humor as her character. Sandwiched within the center and buzzing with vitality is Ji-young Yoo in a ripped vest high and funky zippered pants. The youngest of the three by a decade, Yoo is much like her character, Zoey, the group’s rapper and lyricist: contagiously enthusiastic, disarmingly pleasant, and sensible past her years.

The three of them complement one another completely, with a lightning-in-a-bottle chemistry that casting administrators dream of. They giggle at one another’s jokes, affirm each other’s experiences, and act as one another’s hype girls. To place it merely, they appear to genuinely get pleasure from being round one another as associates along with co-workers — and thank goodness for that. They’ve been working a press marathon since final June, when KPop Demon Hunters premiered, changing into an immediate hit that has grown past anybody’s wildest desires. From changing into the most-streamed Netflix film of all time to incomes two Oscar nominations, the information proceed to interrupt, the accolades proceed to stack up, and extra folks proceed to find this international phenomenon.

For the Talking Voices of HUNTR/X, ‘KPop Demon Hunters’ Could not Be Extra Private

It is smart that the actors mirror their characters, as they’re every fast to share how strongly their backgrounds and identities allowed them to hook up with their roles. “I felt like Rumi’s story paralleled rather a lot with my life and my journey,” Cho says, recalling being an “angsty teenager” rising up as a first-generation Korean American in a conventional, conservative household in Texas and the Midwest. “There was an expectation of what a great little Asian lady needs to be. It’s not like I used to be attempting to be dangerous, however I used to be artistic, and I cherished artwork.”

Rumi’s relationship along with her adoptive mom, Celine (Yunjin Kim), resonated particularly laborious, and Cho discovered appearing out the storyline to be therapeutic. “When Celine tells Rumi, ‘No, it’s a must to disguise. You possibly can’t allow them to see,’ for me, that was not nearly her patterns — it was about every thing. ‘It’s important to be excellent. It’s important to be this manner.’ I discovered a whole lot of therapeutic via voicing Rumi. It was very nice for me to interrupt down with my invisible mic wall of Celine. A lot of ourselves goes into our tasks and our roles. It was very nice to say it.”

Hong can relate, admitting that she, too, pulled from her upbringing to embody Mira. “It was one thing that I undoubtedly was ready to make use of. My dad was tremendous strict, so it seeps out — the fashion and confusion. I’ve, previously in all probability 5 years, discovered a whole lot of therapeutic with my household, but it surely was actually robust. I undoubtedly thought of that rather a lot and the rise up that I felt however nonetheless feeling trapped.” Like Mira, Hong remembers being a little bit of a wild youngster — one thing she believes was elementary in making her the individual she is immediately. “I feel, if I used to be actually obedient, that might have prevented me from assembly and spending time with numerous several types of folks. Finally, you be taught rather a lot about your self because of the connections that you just make.”

The Colorado-born daughter of Korean immigrants, Zoey’s identification is the place Yoo discovered her strongest entry level. “She looks like she’s cut up between two universes and may’t actually work out the place she suits. I did not actually need to invent an excessive amount of for that.” Yoo confesses that she additionally shares Zoey’s people-pleasing tendencies, typically burning the candle at each ends, although she additionally believes there’s a quiet energy in attempting to make others blissful. “Rei Ami (Zoey’s singing voice actor) stated this superior factor the place she felt that Zoey is the strongest of the primary girls of HUNTR/X as a result of it takes a whole lot of energy to be mild and type in a world that isn’t typically sort or mild. I hope I share that high quality with Zoey.”

Yoo remembers her upbringing being much less strict than that of her castmates, crediting her household with getting her excited about movie. Her mom is an avid horror film fan who discovered English via The Omen and Bela Lugosi movies, whereas her father picked it up from the youngsters’s present The Electrical Firm. She fondly remembers going to Blockbuster each week to browse and buy the $3.99 DVDs. “I undoubtedly suppose that I used to be raised in a family that basically appreciated movie and the humanities.”

“Following your ardour will often lead you to the suitable place.”

Their familiarity with cinema helped Yoo persuade her household to assist her appearing desires. Although she initially needed to be knowledgeable dancer, her household was encouraging however involved concerning the life-style and quick lifespan of the profession. The pivot truly got here as one thing of a aid to them. “Once I stated I needed to be an actor, they went, ‘Oh, Maggie Smith and Ian McKellen are tremendous outdated. They’re nonetheless working, so go for it.’ At the moment, the massive film franchises had been X-Males and Harry Potter, so these had been those that got here to thoughts. And Donald Sutherland as President Snow within the Starvation Video games.”

Cho and Hong didn’t all the time dream of changing into actors both. Although her mother and father pressured her into pursuing a profession in legislation, after stepping into the Okay-pop scene in her teenagers, Cho was all the time impressed by music. “H.O.T., S.E.S., Fin.Okay.L, Child Vox — these had been the teams that I used to be like, ‘Whoa, tremendous cool. Sizzling Asians dancing and singing.’ However we did not have the web again then, so it was actually laborious to see it. You’d need to fly all the way in which to Korea to go to a live performance. I keep in mind sneaking out to go to an H.O.T. live performance with my cousin and being like, ‘Mother, there are Asian singers — they’re simply not in America, however they’re there.’”

Hong was drawn to the visible arts, even attending the celebrated Fiorello H. LaGuardia Excessive College of Music and Artwork and Performing Arts for the specialty after making a portfolio of round 20 items for the rigorous utility course of. “It’s loopy to make a physique of labor as a 12-year-old,” she laughs. “To not diminish what you are capable of do at that age or something, however I feel it is a seriousness in your follow that you just’re required to show — that you just really feel passionate sufficient to create one thing, to essentially dedicate a whole lot of time to it.” Regardless of her conventional family, Hong’s mother and father supported her attendance. “It was a part of the confusion of my dad being so strict,” she admits. “He was in theater, and that was his ardour when he was youthful in Korea. It is actually uncommon for immigrant mother and father of that era to be so encouraging of following what you need to do, however they’ve all the time been actually supportive of that and the ‘if you happen to do what you’re keen on, cash will observe’ perspective — do not chase the bag.”

Yoo lives by that motto, too, and he or she is aware of firsthand how nicely it could actually work out. A number of of her hobbies and pursuits have truly helped her e book jobs, together with studying her mother and father’ native language. “I taught myself Korean,” she reveals. “I’ve used it on nearly each single job I’ve labored on, together with this one. I did not do it as a result of I hoped that it might flip into some skilled benefit; I did it as a result of it was necessary to me and was one thing I felt obsessed with. Following your ardour will often lead you to the suitable place.”

The ‘KPop Demon Hunters’ Forged Reveals What Precisely Went Into Making a Masterpiece

​​​​​​​Arden Cho, the speaking voice of HUNTR/X's Rumi in KPop Demon Hunters, poses for a portrait photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.

Ji-young Yoo, Arden Cho, and Might Hong, the talking voices of HUNTR/X in KPop Demon Hunters, pose for portraits photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.
Images by Madi Atkins for Collider

Along with the visible arts, Hong additionally labored as a mannequin for a number of years. Although she confesses she “didn’t like it” and considers herself retired now, solely sometimes working with associates and people she admires, she says it was a useful expertise when it got here to creating confidence and a way of self. “You actually be taught what you do not like and the way a lot you are prepared to compromise or sacrifice, or how a lot you permit folks to push or pull you in any path. Modeling teaches you learn how to carry your self in a manner that instructions extra respect. It is ‘very faux ‘til you make it’ with physique language.”

Regardless of her background, Hong was extra excited than ever to leap into voice work with KPop Demon Hunters. “It is the precise reverse of modeling. It’s simply the within and never the skin in any respect. I actually needed to know what it felt wish to spend an prolonged period of time creating a personality, engaged on a mission, and committing to one thing that is actually, really simply inside.”

KPop Demon Hunters marked the primary time Hong did voiceover work, but it surely wasn’t Yoo’s introduction to the medium. She’s credited as a voice actor on an episode of We Child Bears and did loop grouping — offering background noises like screams and chatter — for Spider-Man: Removed from House. Yoo says this was an enormous plus when she stepped into the soundbooth to carry out as Zoey. “There is a sense of play and improv within the loop grouping the place you give them a whole lot of choices. I feel it helped rather a lot.”

The actors match into their roles so completely it is laborious to think about anybody else taking part in the character, however Yoo and Hong initially auditioned for all three members of the trio. “I auditioned for Rumi first,” Yoo reveals, “after which they referred to as me again about six months later for Mira, after which, about six months after that, for Zoey. I pushed my voice actually low for Mira, and I’m not an alto, so I used to be simply having bother.” Hong, hilariously, had the other drawback. “It was very clear from the start that Mira was the one for me,” she laughs. “It was actually humorous to do Zoey. Think about me being tremendous bubbly in my tone.”

Cho’s expertise was a bit completely different, as she first learn for Celine. “I pitched my voice as little as I may to be as ‘mature grownup mother’ as I may,” she recollects. “I assumed I did a reasonably good job.” A yr later, nevertheless, she bought a callback for Rumi, regardless of by no means auditioning for the position. Her expertise with Celine’s materials turned out to be a blessing in disguise. “I can not share an excessive amount of due to the NDA, however once I auditioned for Celine, I used to be given some info that I feel was useful to know Rumi later. So many individuals expertise love in a manner that may truly be traumatizing. There isn’t any rule e book or tips for fogeys, in order that they’re simply attempting to like and defend you in the way in which that they know finest. Celine was simply doing her finest, however I 100% perceive and empathize with Rumi being like, ‘This isn’t honest. This isn’t proper, and you have pushed me up to now.’”

The information that they every had booked the position was thrilling however, by their very own admission, a bit anticlimactic. “None of us knew that this could occur,” Yoo says, referencing the shock success of the movie. “I did not truly know this was nonetheless attainable, actually, to occur at this international scale, so it isn’t very romantic. I bought a name from my brokers once I was in all probability in my room or cooking lunch or one thing. There was no Zoom name the place they recorded my response.”

Cho was relieved that her choice to fly in and do her last callback in individual, slightly than choosing a Zoom session, had been value it. “I’ve undoubtedly booked issues on Zoom,” Cho disclaims, “however I really feel like, each from time to time, if it is attainable, I do love doing it in individual. I like assembly administrators, writers, and producers within the room and simply vibing it out. It was the one time the place I used to be like, ‘Sure, it was undoubtedly value it.’”

Hong’s enthusiasm stemmed much less from her personal involvement within the mission and extra from the truth that the mission was transferring ahead in any respect. “I used to be very, very excited that the mission was transferring via and that it was going to occur. It was like, ‘Thank God it is being made.’”

I did not truly know this was nonetheless attainable, actually, to occur at this international scale.

As soon as the trio had booked their respective roles, it was time to get to work, they usually every had completely different methods for stepping into character. For Hong, it was all concerning the excellent look. “I bought actually sick nails earlier than recording that complete week in LA,” she reveals. “Getting a recent set places you in a unique headspace. And my associates have a sweatsuit firm — the silhouette is so good, they usually really feel like actually horny sweatpants. They’re actually saggy, so it felt very ‘off-duty Okay-pop star’ with the nails.”

Prior to now, Cho has relied on wardrobe to get her into character, too — significantly Ingrid’s stilettos for Accomplice Observe — however this mission compelled her to search out different strategies. “For voiceover, it is attention-grabbing. We’re in our road garments or in pajamas most frequently, as a result of it’s a must to be in garments that don’t make a whole lot of sound,” Cho explains. “You don’t need to be jingling with buckles and zippers, so I struggled rather a lot with feeling actually cool and badass. I felt prefer it was very easy to file Rumi when she was damaged or smooth and susceptible, however each time she needed to be the chief, the badass demon hunter, I might be in my head.” Cho as soon as once more appeared to music for inspiration, listening to “something dangerous lady, dangerous bitch vibes,” together with 2NE1’s ‘I’m the Finest,’ Okay/DA’s ‘I’ll Present You,’ and the discography of Blackpink, Aespa, and even BTS.

Yoo additionally relied on music to get her within the zone, she reveals, “I make playlists for all my characters. There’s a whole lot of touring and ready you do as an actor, so I might slightly be listening to music and type of stepping into the zone slightly than in the end scrolling on my cellphone.” So far as what her curation appeared like? “Something that made me really feel like I had the vitality to do Zoey for a number of hours, as a result of she speaks so quick and is so energetic.” These playlists included every thing from Okay-pop to ‘80s Brit pop to Kendrick Lamar.

However for these voice actors, stepping into character was simply the primary a part of the problem of KPop Demon Hunters. It seems actions you may not suppose a lot of, together with snacking, screaming, and panting (generally known as “efforts” within the enterprise), are not any joke in an animation sales space. Whereas it might sound like a luxurious, attending to eat on the job, Cho explains that it’s typically extra of a mandatory evil for the voice work to sound extra genuine. She even recollects getting bodily sick from a mixture of consuming and efforts. “I occurred to do a day the place I did all my meals sounds after which all of the efforts after, which included working across the room, doing leaping jacks, all types of loopy issues. I legit threw up after work as a result of I felt so sick from consuming all these random issues — clementines, three baggage of chips, a lot water — then leaping up and down after which consuming extra issues.” However her most troublesome non-food-related effort comes from Rumi’s response to Jinu’s first look. “Disgusted to adoration in a single breath could be very laborious to do with out phrases. I feel we spent a great, I am not even kidding, two hours on that.”

Yoo recollects her now iconic battle caw being the trickiest to grasp. “(Administrators) Maggie (Kang) and Chris (Appelhans) went, ‘Might you simply caw like a fowl, however make it like you are going to battle?’ I feel that had been the identical session the place we had been engaged on the popcorn popping out of my eyes, in order that request was now not bizarre.”

Hong’s favourite effort is when Mira and Healer Han growl at one another (although she reveals she nonetheless hasn’t met Daniel Dae Kim, who voices him, in individual but). “Youngsters love that a lot. I feel the perfect factor about efforts is that they make everybody chuckle. Typically, while you’re doing strains, everybody’s listening for the takes and ready for the suitable one to occur, however the efforts are so foolish that everybody type of has to carry their laughter. As soon as the take is over, everybody’s guffawing collectively, and that is so enjoyable.”

Along with the distinctive bodily challenges of voice appearing, there are additionally psychological difficulties. Hong explains that there have been cameras in every of their cubicles for the animators to make use of as references — a incontrovertible fact that proved extremely intimidating. “I used to be spiraling. It’s like a glance into your diary.”

Cho agrees, recalling her first assembly with the artists and animators. “They know us so nicely,” she says. “They had been hugging me and being like, ‘Oh my gosh, all I have been doing is your face for 3 years,’ and also you’re like, ‘Hello, I am so sorry, we have solely simply met.’ There’s all this bizarre footage of me, after each take, being tremendous self-critical and doing all of those warm-ups, face stretches, and sound stretches — issues that might usually be ‘off digicam’ — as a result of it is recording from once we stroll in to once we go away that in that six-hour session. It makes me really feel so susceptible and bare.” Nonetheless, Cho believes the discomfort was in the end value it. “It’s enjoyable while you watch the film, as a result of there are all these bizarre, quirky issues that the ladies do, and I’m certain a few of these little issues are from us.”

From James Cameron to Jacob Elordi, Everybody Has HUNTR/X Fever

May Hong, the speaking voice of HUNTR/X's Mira in KPop Demon Hunters, poses for a portrait photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.

Ji-young Yoo, Arden Cho, and Might Hong, the talking voices of HUNTR/X in KPop Demon Hunters, pose for portraits photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.
Images by Madi Atkins for Collider

Simply as everybody is aware of whether or not they’re a Carrie, Miranda, Samantha, or Charlotte, everyone knows now whether or not we’re a Rumi, Mira, or Zoey as nicely. The fan response to KPop Demon Hunters has been unprecedented and, for the forged, extraordinarily humbling. “There are a whole lot of monotone individuals who come as much as me like, ‘Thanks to your service,’” Hong reveals, “or they someway really feel actually represented listening to that. I do not suppose I noticed that it isn’t quite common to listen to lower-toned girls’s voices in animation, and that is actually cool.”

Yoo admits she’s “shed some tears” from the messages she’s gotten. “There was a good friend of a good friend whose daughter needed to decorate up as Zoey for Halloween. She was speaking about how she’s all the time felt very shy and in her older sister’s shadow, however since seeing the film, she’s felt a lot extra snug embracing who she is and being extra assured.”

Cho echoes the suggestions she’s gotten from children, specifically, together with her nephews, who she brags know each line that the trio has. She didn’t count on the early response to be so speedy from this smaller demographic. “I keep in mind Netflix had this screening for the film fairly early on, and I (invited) my associates with children, simply considering those with daughters would need to come. Everyone responded, and I had, like, 40 children that needed to return — I had a waitlist of 7-year-olds.”

Huntrix performs Takedown in KPop Demon Hunters.


‘KPop Demon Hunters’ Wins Finest Animated Movement Image on the Golden Globes

The Sony Footage Animation title has grow to be Netflix’s most watched movie of all time.

This love goes far past the actors’ speedy circles. “To have colleagues and mentors — folks I look as much as — wanting me to ship a video for his or her child is such an enormous deal,” Cho says. “On the Critics’ Alternative Awards, I met Kristen Bell and had an unbelievable dialog along with her about how a lot I like her work and Frozen, and her being like, ‘Cease it — all we do is watch KPop Demon Hunters. My children are obsessed.’ As girls, generally you’re feeling like age limits you, however for her to additionally share like, ‘Yeah, I began in my 20s, and I am 45, and I nonetheless sound like Anna,’ that was a extremely particular second. And I completely fangirled.”

Hong shares that she acquired an identical sentiment from the Dragon Ball Z voice forged. “They had been like, ‘Welcome. Voice appearing is evergreen. You’ll all the time be the soul of this character, and everybody will all the time love you a lot for it.’”

Yoo’s most memorable celeb endorsements embrace James Cameron, Jacob Elordi, and Park Chan-wook, who spoke about crying in the course of the climax of the movie. “I additionally had the pleasure of watching Sandra Oh, Korean Canadian icon, stroll as much as Maggie, one other Korean Canadian icon, and gush concerning the film to her, in order that’s been unbelievable and wonderful.”

Cho shares that the movie has truly led to her changing into associates with Bada, a member of S.E.S., whom she grew up listening to. “She invited me to her home and cooked for me, and now, she’s like my unnie. She’s one of many loveliest folks on this planet.” Hong can’t assist however reduce in at this revelation. “Are you critical? That’s so sick.”

‘KPop Demon Hunters’ Revolutionized Illustration Eternally

(R-L) Ji-young Yoo (voice of ZOEY), Arden Cho (voice of RUMI) and May Hong (voice of MIRA)
Picture through by Ricky Middlesworth / Netflix

Asian illustration is on the forefront of what KPop Demon Hunters is all about. Cho recollects getting bullied for her look as a toddler, which made her really feel she needed to disguise her love of Korean meals and music. Progress, she notes, was gradual and minimal when she was younger. “Rising up, the closest factor I needed to one thing Disney was Mulan or Aladdin. Aladdin‘s not even the identical, however in my thoughts, I used to be like, ‘Oh, however Jasmine is a better pores and skin colour to me.’ You settled for it. I keep in mind getting tremendous excited when Large Hero 6 got here out. I like Kung Fu Panda. I like all these tales, however nothing was Korean. Now, we’ve come full circle. How cool is it that now my good friend’s children or my nieces and nephews are absolutely the coolest at college simply because they’re Korean? Their associates do not even know that they know me. As soon as they know they know me, then it is recreation over.”

Hopefully, the success is sort of validating that an authentic IP and Asian-led tales, one thing very culturally particular, may not be a danger — that it may be very rewarding, and recent, and particular.

The truth that Cho didn’t develop up with any type of optimistic illustration made her all of the hungrier to be that illustration for another person, which included intentionality in selecting her tasks. “If I noticed one thing that I felt like was tremendous stereotypical for Asians, or I felt like it might set us again a few years, I stated no. It is robust to say no on this enterprise, however wanting again now, it was in all probability the suitable alternative. It led me to attending to work on tasks like this, so I am very blissful.”

Cho hopes that that is the start of studios investing in a wealth of various Asian tasks. “Clearly, it is a robust, robust trade to inform our tales at instances. They are saying a woman-led movie is a danger, an Asian-led movie is a danger, a brand new IP is a danger — every thing is a danger nowadays. Hopefully, the success is sort of validating that an authentic IP and Asian-led tales, one thing very culturally particular, may not be a danger — that it may be very rewarding, and recent, and particular.”

Yoo is aware of firsthand that illustration goes past appearing and begins behind the scenes, as nearly all of administrators she’s labored with have been girls, from So Younger Shelly Yo on the Tribeca-winning movie Smoking Tigers to Josephine Decker on The Sky is All over the place. “Typically, it could actually really feel like we’re not making as a lot ahead progress within the trade as we wish,” Yoo confesses, “however I do suppose the variety of girls I’ve gotten to work with is proof of a altering trade. Issues are nonetheless evolving, and there are individuals who need this trade to be extra inclusive, numerous, and dynamic. Early on in my profession, my largest champions have been and proceed to be girls. I really feel very fortunate for that and really grateful to be coming into the trade on the time I’m.”

Yoo recollects Amy Poehler being a very robust advocate as a director on Moxie — the job that landed her a SAG card — regardless of solely working along with her for half a day. “There are only a few issues that may describe the sensation of Amy Poehler laughing at a line you say. I have been actually having fun with listening to her podcast as a result of I feel it has been reflective of, although I labored along with her for a really temporary interval, how she works. I used to be listening to the episode she did with Mike Schur, they usually talked about how they’d a whole lot of foolish names in Parks and Recreation. That was completed partially as a joke, but additionally as a result of they’d learn actors’ resumes and really feel a bit of unhappy when their credit score was, like, Man #2. I truly began crying throughout that episode as a result of my character (in Moxie) had a reputation, and I keep in mind being so excited. I had no thought it was intentional. There is a degree of generosity, and gratitude, and kindness that she clearly appears to guide with.” At that, I counsel that she and the opposite KPop Demon Hunters forged have to get on Poehler’s podcast, Good Dangle. “I might like to!” she replies. “It is on the imaginative and prescient board.”

The overwhelming majority of Hong’s tasks have seen her play LGBTQ+ characters, from Tales of the Metropolis to Fantasmas to Hacks. “The joke that I make is that, on digicam, 100% of the time, I’m homosexual,” she says. “Even after KPop Demon Hunters got here out, Twitter was stuffed with screenshots of Mira manspreading and her mannerisms and being, like, ‘Homosexual! Lesbian!’ I used to be like, ‘How? Is it simply my voice that’s plain? Is it oozing out of me?’

Jokes apart, taking part in these characters helped Hong embrace her personal queer identification. “That was a little bit of a turning level of actually breaking that a part of myself aside and analyzing myself extra,” she shares, “however I additionally really feel prefer it’s simply a part of the entire. It’s simply a part of my identification. I am not, for example, each day strolling out being like, ‘Right here I’m, a Korean lady on this planet!’ I’m simply in my physique and residing, and that is the identical with queerness,” she explains. “I do not know if it is one thing that I fixate on — it is simply a part of me. I feel I am extra excited about blurring all of the strains of every thing.”

There’s a Brilliant Future Forward for the ‘KPop Demon Hunters’ Trio

Ji-young Yoo, the speaking voice of HUNTR/X's Zoey in KPop Demon Hunters, poses for a portrait photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.

Ji-young Yoo, Arden Cho, and Might Hong, the talking voices of HUNTR/X in KPop Demon Hunters, pose for portraits photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.
Images by Madi Atkins for Collider

In maybe the least stunning information ever, Netflix has already introduced plans for a KPop Demon Hunters sequel, set to premiere in 2029, and the chances for what may occur are really infinite. “It is not likely a bowtied blissful ending,” Cho says of the primary movie’s conclusion. “Certain, the Honmoon is sealed, the world is protected, the demons are gone, however does Celine settle for Rumi? We do not know. Does she have a household? We do not know. However we do know she has her women; she has her associates.” She additionally teases the potential for extra characters like Rumi — part-demon, part-hunter — to be launched. “In our world of KPop Demon Hunters, we predict she’s the one one, however she will’t presumably be.”

There’s the chance to develop the world within the different path via prequels as nicely, significantly since we get a montage in the beginning of the movie exhibiting the demon hunters of the previous. Once I ask what period the trio can be most excited about exploring, Cho and Hong instantly throw out the concept for a movie set within the early 2000s, whereas Yoo’s concepts go additional again. “I like Pansori, the normal Korean singing,” she says. “Ejae does her spin on that within the intro to the film while you hear her nearly wailing vocal, so I might like to see historic dynastic Korea. Or I am actually fascinated by the interval from concerning the late 1800s to 1945, in the course of the Japanese occupation of Korea. I do not know if that might be like a household film — I feel it might be a really, very critical film — however I might be very tuned in for that period of KPop Demon Hunters. That will be our Andor.”

Though the trio has a whole lot of love for KPop Demon Hunters, they’re additionally craving new roles and collaborations. “As a result of I am largely from a TV background, there’s nonetheless a lot need to work with a extremely gifted movie director who can convey out the perfect actor in me,” Cho says. “I might like to work with Park Chan-wook. I might like to do one thing actually character-driven. Some woman-centered, loopy factor with in all probability some killing that’s hysterical, and wild, and darkish, like James Bond, or Dexter, or Walter White. After which, I additionally love rom-coms. I’ll all the time be a rom-com lady. What occurred to all these good ‘90s rom-coms?”

Yoo is seeking to proceed doing extra comedy, in addition to make her option to the stage — finally. “For dream roles, one which I must wait a really very long time for is The Mom in The Seagull by Anton Chekhov, as a result of I feel she’s actually humorous and really dramatic,” she says. “I might be terrified to ever try and fill my good friend’s sneakers, however Possibly Pleased Ending was certainly one of my favourite exhibits that I noticed final yr, and Helen (J. Shen) is a good friend of mine, and he or she’s so good in that position. It is such a meaty position to do this I might need to attempt it, however eight exhibits every week of singing on Broadway is the Olympics of appearing, so I might do an extended suppose earlier than truly trying that one.”

It is not likely a bowtied blissful ending. Certain, the Honmoon is sealed, the world is protected, the demons are gone, however does Celine settle for Rumi? We do not know. However we do know she has her women — she has her associates.

At simply 26 years outdated, Yoo has already labored with a number of the greats, together with Lulu Wang and Nicole Kidman on the Prime Video collection Expats, which required her to go away school. Was {that a} troublesome choice, I’m wondering, or the best one she’s ever made? “It was undoubtedly a little bit of each,” she admits. “I used to be actually burnt out from college on the time. In some methods, I used to be relieved as a result of Expats was such a no brainer to say sure to. Like, work with Nicole Kidman? Yeah, I’ll put college on maintain. That is one thing you place a pause on the remainder of your life for. However I used to be additionally apprehensive. It is possibly humorous to say to individuals who aren’t actors, however you do not actually know when your subsequent job goes to be, and there is all the time a bit of little bit of a concern that possibly it is a one-off — possibly that is not going to occur once more — so I used to be apprehensive that it was such an enormous factor. What the heck was I going to do after Expats that might make leaving college justifiable? However I’ve been very, very fortunate that I’ve continued to work.”

Yoo has stayed in contact along with her Expats co-stars, who’ve all supported her via this new whirlwind of fame. “Sarayu Blue and Brian Tee and I run into one another typically at Asian American Hollywood issues, and I’ve gotten very candy messages from the forged and crew. I truly bought a really candy textual content from Bonde Sham, who performed Charly within the present. There was an enormous KPop Demon Hunters pop-up in Hong Kong, and he or she despatched me a photograph of it and a few very sort phrases.”

Hong and Cho have already begun to department out past appearing, too. Hong reveals that she’s co-written a pilot, and Cho has produced a psychological thriller that’s coincidentally additionally about Okay-pop referred to as Excellent Lady starring herself, Hong, and Adeline Rudolph. Directed by Hong Gained-ki, the movie has 9 Asian and Asian American feminine leads and focuses on three generations of girls. “It is very, very wild and enjoyable. It is rather cutthroat,” Cho says.

Concerning whether or not the expertise made her need to step behind the digicam extra typically to provide and even direct, Cho says she’s definitely open to it. “I feel, inevitably, the (deeper I get) in my profession, I can not assist however need to be extra concerned, primarily as a result of I care a lot. It’s attention-grabbing, you might be just like the tenth individual this week who’s requested me that. I’m like, ‘Wait, have you ever talked to someone? Did someone inform you to ask me that?’” (Nobody has, for the file. Cho’s pure management and fervour simply make her appear to be a natural-born director.)

The identical will be stated for Yoo, who spent her childhood obsessively watching these Blockbuster DVD bonus options (particularly the featurettes on the Lord of the Rings trilogy) and was majoring in Cinema and Media Research at USC earlier than Expats got here alongside. “I used to be very fortunate that I bought a really holistic view of cinema outdoors of simply appearing,” she says of this system, “and I do suppose that helps rather a lot with appearing, whether or not it is movie or voice appearing and even theater.” She’s much less certain that directing is in her future, although she’s not writing it off. “In all probability? Possibly? When the inspiration hits? Query mark. We’ll see what occurs. Life is lengthy.”

Self-Care Is Key for Demon Hunters

Ji-young Yoo, Arden Cho, and May Hong, the speaking voices of HUNTR/X in KPop Demon Hunters, pose for portraits photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.

Ji-young Yoo, Arden Cho, and Might Hong, the talking voices of HUNTR/X in KPop Demon Hunters, pose for portraits photographed by Madi Atkins for Collider in Los Angeles, California, on Jan. 6, 2026.
Images by Madi Atkins for Collider

It’s laborious sufficient navigating the world immediately. Throw being a part of a comparatively new international sensation on high of that, and the stakes are even increased. The KPop Demon Hunters forged continuously stresses how grateful they’re for this chance. “The stuff we have been doing for KPop Demon Hunters has been so fantastic, as a result of it is much less work-like promotion and extra like a celebration,” Cho says. However they’ve additionally needed to discover new methods to handle themselves, particularly since a number of the fan interactions can get heavy. “Lots of people who’ve unharmonious household dynamics really feel actually seen by Mira’s character, they usually’ll share a whole lot of tales about the way it’s laborious for them,” Hong says. “I am honored and humbled to be somebody whom they really feel protected speaking to, even for that second, but it surely’s rather a lot to soak up from folks.”

Hong swears by lymphatic massages, journaling, and remedy to manage. “I attempt to write and do morning pages to test in with myself. Shoutout to The Artist’s Approach — shoutout to Julia Cameron. It’s necessary to meet up with your self, as a result of I really feel like you possibly can actually get swept away in doing a whole lot of stuff and not likely checking in and seeing how you feel. It’s tremendous necessary to listen to your personal voice, to listen to your self speak out loud.” There’s a beat as Hong smirks. “That’s humorous as a voice actor. Anyway, psychological well being is big.”

Cho echoes the necessity for lymphatic massages, including that she likes to bask in baths, quiet cups of espresso, and expertise detoxes as nicely. Yoo, however, admits that she’s nonetheless discovering a wholesome steadiness between her private life and profession, as work can really feel all-consuming. One step she’s taken is to undertake a stage identify. “When there’s fantastic information, that’s very thrilling, however I needed to really feel like it’s my enterprise that is within the information, not me as a human.”

I’m attempting to be a bit of extra current within the second, as a result of it strikes so rapidly. I do not need it to go with out truly having been there.

One other issue that went into the choice was that her beginning identify, SunHee Search engine optimization, was continuously getting mispronounced. I’m curious if there was any mourning or frustration there. “I do not suppose there was,” she assures me, “as a result of it did not really feel like a compromise. I did not make my identify much less Korean. I particularly selected Ji-young Yoo as a result of I preferred the way in which that it sounded, and people are all issues that exist within the English language, so if you cannot say it…”

“Look inside?” I supply.

“Yeah, look inside,” she agrees. “So I do not suppose there was actually disappointment. I feel it was extra protecting of the identify my household gave me that I like, and I used to be only a bit uninterested in seeing it mispronounced and misspelled.”

Yoo’s additionally attempting to recollect to decelerate and benefit from the trip. “There’s been a lot to absorb that it nearly feels unimaginable to course of all of it, however I’m looking for pockets — like once we’re on the Critics’ Alternative carpet — to take a breath and go searching on the people who we’re capable of be alongside and that we’re being honored amongst. I’m attempting to be a bit of extra current within the second, as a result of it strikes so rapidly. I do not need it to go with out truly having been there.”

KPop Demon Hunters is now streaming on Netflix.

Images: Madi Atkins | Location: Netflix, Los Angeles

Glam Credit:

  • Might Hong: Hair — Lauren Palmer Smith | Make-up: Grace Ahn | Stylist: Akua Murray
  • Ji-young Yoo Hair: Rena Calhoun | Make-up: Allan Avendano | Stylist: Wayman + Micah
  • Arden Cho — Hair: Steven Mason | Make-up: Sangwon Jeon | Stylist: Amanda Lim



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