On location on the Hammer Museum in Los Angeles, visionary filmmakers mirror on their very own artworks
Interviews by Eva Michon
Images by Sinna Nasseri
“I’m used to being nervous. That’s part of the power that brings out adrenaline.” — Joachim Trier, Sentimental Worth
“I like taking pictures all night time lengthy. There’s nothing like inhabiting areas which might be kind of off limits and at odd hours.” — Kristen Stewart, The Chronology of Water
“The one superstition I’ve is which you can’t show superstitions don’t exist. So that you would possibly as nicely obey them in a roundabout way.” — Benny Safdie, The Smashing Machine
“One is all the time frightened of the movie they’re making. Irrespective of how assured you might be, till a movie is completed, you’re nonetheless doubting it.” — Jafar Panahi, It Was Simply an Accident
“The primary shot—simply get it. As a result of as quickly as you’re operating movie by way of the digicam, everybody relaxes.” — James Vanderbilt, Nuremberg
“I wanted, in a really radical means, for the viewers’s empathy and sympathy and concern to stick with Linda.” — Mary Bronstein, If I Had Legs I’d Kick You
“Through the shoot they needed to yell and act over silence, which was most likely very tough for them, however very humorous to observe.”— Park Chan-wook, No Different Alternative
“What you supply as a filmmaker or a storyteller isn’t options. It’s expertise.” — Guillermo del Toro, Frankenstein
“I do suppose your intestine intuition will get louder with each movie that you just make.” — Mona Fastvold, The Testomony of Ann Lee
CREDITS
Inventive Administrators: Michaela Dosamantes & Andrew Wren
Stylist: Kathryn Typaldos
Producer: Daisy Robinson For Brachfeld
Assistant Director: Anabella Casanova
Lighting Director: Thomas Patton
Images Assistant: Anna Sophia Moltke
Make-up Artist: Mai Quynh
Hair Stylist: Jerrod Roberts
Groomer: Gia Harris
Stylist Assistants: Kassidy Taylor, Kevin Ochoa, Lana Eldjoundi, Hannah Loewen
Portrait Movie: Eva Michon
2nd Digicam: Theo Martins
Producer: Katherine Lim
Manufacturing Assistants: Tony Corella, Vic Godales
Sinna Nasseri
is a first-generation American who realized to take pictures on the streets of New York Metropolis after abandoning a profession as an lawyer.