Berlinale 2026 Diary 8 – Amay Mehrishi’s beautiful ‘Abracadabra’, and the burden of a watchlist



This has been a comparatively brief go to to Berlin. At a press screening, a pal requested if there was a film I used to be particularly bummed about lacking out on. Not likely, I mentioned. I imply, I did wish to watch Isabelle Huppert within the titular function of Ulrike Ottinger’s Blood Countess, in regards to the Seventeenth-century Hungarian (…)



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