Alexandre Rockwell & Quentin Tarantino Reunite for Elegiac, Stirring Indie Drama

The cinema is a spot for communal reflection. Right here, on this odd temple, full strangers commune to supplant their very own experiences, if solely momentarily, in favor of the chimerical pictures on the silver display screen. Alexandre Rockwell’s The Projectionist is each an homage to the artwork type and a rumination on its affect on the collective reminiscence of people who expertise it. If a film’s pictures are constructed as goals, Rockwell wonders, would possibly it even be that we generally stay like we’re in a strolling reverie, at all times greedy for what’s actual?

But, The Projectionist will not be almost as esoteric as all that means. Its image-based philosophy is couched inside a easy story of a previously incarcerated man’s confrontation with a violent previous. It’s a uncommon filmic pleasure. Like Darren Aronofsky’s PiRockwell’s movie appears like being thrust right into a nightmarish puzzle which calls for to be solved. Spearheaded by veteran character actor Vondie Curtis-Corridor in one in all his best performances up to now and shot in heat chiaroscuro by Sam Motamedi, The Projectionist is unusual, haunting, elegiac and completely transportive.

After all, for Sully (Curtis-Corridor), a wrongfully convicted recluse, the chance to be whisked away from someplace aside from his depressed existence is a present. A movie projectionist at the real-life Movie Noir Cinema in Greenpoint, Brooklyn, Sully spends most of his days displaying traditional movies to a largely empty viewers. Because the likes of Fellini, Truffaut and Preminger flash throughout the display screen, Sully will get misplaced, projecting his personal harrowing journey onto the faces and lives of others. It’s a place not not like producer Quentin Tarantino’s personal New Beverly, in Los Angeles.

In patchwork flashbacks, Rockwell reveals Sully’s earlier life in illogical, chronologically confused methods, such that it takes some time earlier than we are able to, if ever, discern between the projectionist’s actuality, his reminiscence and utter fiction. For some time, it’s even tough to inform whether or not Sully is alive or dreaming, and if something, Rockwell might’ve spent extra time teasing out the solutions.

Sully lives a humdrum life with little or no human interplay, and there is an implication that his reminiscence could also be fading. For one factor, he has labeled his carton of milk and his each day soup in his in any other case empty fridge. His house is sparse, and the sounds of home violence seep by way of the cracked drywall. His each day life is barely interrupted by rare visits to a house for the aged, the place he visits his brother, Aaron (David Proval), who’s wracked with dementia.

However, one morning, his former companion, Donald, arrives (Kevin Corrigan) with an ominous message that his ex-boss, Rosa (Kasi Lemmons) wants him for an pressing job. Particulars are murky at finest, however the gist is that Sully had as soon as shot and killed the nephew of a legal boss named Darko (Rockwell), who’s now out of jail and out for blood. Rosa needs Sully to kill him earlier than he can kill anybody else.

However Sully has tried very laborious to place that life behind him, since it’s the identical life that’s liable for his estrangement from his daughter, Lala (Selah Rust). Previous habits do die laborious, and it appears as if Sully will in all probability lose this battle in opposition to his previous in additional methods than one; what’s there to salvage when most every thing has already been taken away?

Regardless of its outward sullenness, The Projectionist is so nicely noticed in its smaller moments that it comprises inside it an uncommon type of hope. Maybe it is that everybody can discover their place, even in a world that has been shattered, and even when it looks like our lives are monochromatic. Sully’s story will not be distinctive inside the context of movie historical past — definitely not relating to the movie noir fare he tasks on the theater — however Rockwell’s mild ruminations on the fallacy of nature and the vapidity of violence are profound of their cogency.

The Projectionist screened on the 2026 Slamdance Movie Pageant.

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